Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Tuesday, August 19, 2008

Get your Gelato On

Not to be too patchouli about it, but I’ve got a lot of Karma. Not necessarily bad or good, just a massive steady stream of it—I find $100 bills, but I get stuck in elevators and fall down stairs. I’m that girl—the one with the story.

This summer has brought such a spate of events. (For example, I’m currently down both a state ID and a debit card.) Then I had the best. Weekend. Ever.

To top it off, I think I closed the gap on this farmer’s tan I’ve been fighting all summer long. This is extremely fortunate, because the tourists at the World Trade Center PATH station had begun to follow me with their eyes like a zebra at the zoo.

Anyhoo, the Fresh Mozz and Ms. Posanne spent Saturday exploring some of NYC’s gelato mainstays, and we set out to answer to question: what makes gelato different?



Image credit: Nodame

We started at Grom in the West Village, which feels like the confectionary equivalent of an old-style tiled bar where vested ‘tenders fix egg-white cocktails.


All of the gelati rest in gleaming climate-controlled containers, and our esteemed server doled out samples with effusive pride, as if to say: “No you absolutely MUST try THIS one next.” The optimistic melon and zippity mint were among out favorites, and the slushier “granitas” bloomed with a subtle effervescence.


Federico Grom and Guido Martinetti brought Grom and their particularity for ingredients to the Upper West Side from Torino in 2007, where it broke like Pinkberry—food bloggers marveled at the 30-foot lines outside their West 76th street gelato emporium. They opened their West Village location shortly thereafter.

Let me refine, for a moment: gelato (trans. “frozen”) is an Italian dessert that resembles ice cream but is not ice cream.

The major points of difference? Quality, milkfat, and air.

Ice cream in the fat plastic drums from Dominick’s doesn't use vanilla, I doubt they even use extract. And it tastes like cold wet sand. In contrast, gelato seeks to concentrate and essentialize the best aspect of the flavor, so every ingredient is top drawer: Bronte Sicilian pistachios, Amalfi lemons, Venezuelan chocolate, San Bernardo mineral water from Piedmont. (Grom also uses carob flour). The thickness and density also differ: ice cream primarily uses cream with a 10-18% milkfat content, while gelato holds the fat down to a low roar at around 8%. Since milkfat clouds and overwhelms the flavor of the overall product, a leaner frozen dessert condenses the flavor. Grom has a more upturned take: "Also, in our opinion cream tones down too much the incisiveness of the flavors."

And while you may have guessed that gelato or higher quality ice cream has less air, the number is actually quite surprising—its between a quarter and half, pumped directly into the unfrozen liquid. By contrast, gelato only has 10% air, leading to a creamier end product.

I think we love gelato it because also possesses a mystical quality; it hoodwinks the palate into conjuring the ideal form of a flavor. For a moment, we forget that oranges are round and heavy, almonds and their bite, or coconut’s grainy pieces, and in that second gelato flash mimics the essential character of the flavor in another form. At the same time it surprises with a new dimension to a food you thought you knew well, you thought were well acquainted with. Ms. Posanne put it best when she said, "It's like the Jetsons, it's like a flavor pill from the future."




Il Laboratorio del Gelato does this best. It was started by Jon F. Snyder, who also brought you Ciao Bella gelato and sorbet. After he sold Bella (at the ripe age of 25), he founded Il Lab which produces its mod rectangles of tasty on the Lower East Side. There we found enlightening flavors like Guinness (which I didn’t taste) and ricotta (which I did, and it was one of the most delectable pillowy textures I’ve ever crossed).



It might be a little less traditional, but the new insights into the “ideas” of flavors were provokingly satisfying, and made me reconsider my taste expectations.

To cleanse our palates between tastings, we went to Murray’s cheese shop, which might be heaven on earth.



Throw in some glasses shopping, bocce in the park, and savory waffles and color me happy.

Lastly, I’m working on coming back to Brooklyn. More details, as we say in the business, “t/k.”

Thursday, August 14, 2008

Loving Lemon Pledge


The veneer between persuasive and pushy is both thin and permeable. On good hair days, when the back cowlick of my crown does not resemble Alfalfa from The Little Rascals, I fancy myself “persuasive”…but I do harbor a tendency to foist limoncello onto unsuspecting guests.

I introduce limoncello as highbrow, haute, and an acquired taste for an advanced palate. “Some believe limoncello tastes like lemon Pledge” I’ll condescendingly dismiss, “when it’s actually the nectar of the Sorrentine Peninsula, using the most choice Amalfi lemons.” (Some acquired tastes just need a little push toward the summit of appreciation).

Upon first imbibing, limoncello frequently meets with sour expressions. However, the “lemon pledge effect” wears off after 10 minutes or so, and I notice that deniers usually pour themselves a second splash: I’ve won another patron over to the cause.

For those who are unfamiliar, limoncello is an Italian liqueur that hails from coastal Italy, often Sicily, easily recognized from its arresting neon color and cloudy opacity. Served freezer-chilled in cordial glasses, the dense thickness coats the palate with a robust wallop of lemon flavor. And while I usually engineer the liqueur’s image as “delicacy,” the truth is somewhere closer to “bathtub punch” because of its simple list of ingredients and rustic production process. However, store-bought ‘cello tends to be too syrupy and a little waxy, so I thought I’d try my hand at Italian moonshine.

Ingredients:
6 lemons
1 fifth of high-proof vodka or grappa
2 cups sugar
2 cups water
2 bottles (or mason jars)

Step One:

Peel the zest of all six lemons with a peeler or a box grater, ensuring that you skim only the skin and leave behind the bitter pith. Purists will use Sorrento or Eureka lemons—in our liberal arts version, we used lemons. From a plastic-mesh bag.



Step Two:
Go ahead and add the zest to the high-proof vodka—I used 100 proof Smirnoff—which will draw more of the lemon oil from the rind.

I’ll let Charles Perry from the LA Times do the math for you:

“Using 100-proof Smirnoff 57, the usual recipe will give you a limoncello with the same alcoholic content as commercial varieties: 60 proof. If you use the more common 80-proof vodka, on the other hand, you'll have to steep the peels longer to get as much flavor out of them, and the recipe will give you a 50-proof limoncello.”

Close that mason jar or bottle and leave it out, at room temperature, for a week. (I gave it a little hustle routine about once a day to mix it up.)




Step 3:
Drain the lemon peels from the infused vodka, which should have a deep yellow color at this point. (Note: if you are not using a mason jar, have another receptacle ready for the last step—those lemon peels cling to their former home, and do not easily extract themselves from inside the bottle.)

Step 4:
Stir the sugar and water together over low heat to create the simple syrup, and reduce by half. Let the syrup cool to room temperature.

Step 5:
Pour the simple syrup and lemon infused vodka back into the mason jar or bottle, careful not to fill it to the brim, and stick it in the freezer. The liquid should grow cloudy after 8-9 hours in the ice box, but I left it there for another 4 days.

The result: a far more buoyant, crisp flavor than store-bought ‘cello, and a use for my beloved, physically-challenged cordial glasses.



You can also use different citrus fruit to customize your 'cello--I've seen limecello, orangecello, and I'm told tangelo, blood orange, and grapefruit all make zesty incarnations of this theme.

Photo credit: Shamballah

Monday, July 28, 2008

Mom, what's a "Benny"?

Benny (n.) Bennies, pl.
1.) One who does not pay proper respect to the indigenous peoples of the Jersey shore. A colonizer.
2.) Groups of individuals who visit the Jersey shore in the summer who a.) clog the streets with beach traffic b.) rock socks with sandals c.) wear white tank undershirts displaying outgrowths of chest hair and/or track suits.
3.) A slang term for tourists of Italian-American descent who vacation in the shore towns of Belmar, Spring Lake, Point Pleasant and Manasquan.

The term derives from Bayonne, Elizabeth, Newark, and New York, though I understand the New York part specifically targets Staten Island.

Take a look at some recent controversy surrounding the uprising.

Thursday, February 14, 2008

Italian Kitchen Gadgets

A teeny living space and a subdural vigilance keep me from amassing clutter, so I own very few kitchen gadgets. However, when I go on meandering walks without a fixed destination, purpose, or time limit, I admire them from afar—our neighborhood has some neat stores with fresh wares.

The mezzaluna is one such revitalized object d’cuisine, thanks to celebrity chef/pinup Nigella Lawson.


It’s Medieval appearance (and structure) reminds one more of torture than of the refined ritual of bruising herbs. Convex steel that grows into two handles, the mezzaluna resembles the half-moon it’s named after. Either single or double-bladed, the user rocks the handles back and forth to chop herbs or vegetables. I haven’t been able to locate the provenance of the tool, since I suspect it has more sinister roots than the kitchen, but I shall report my findings at a later date.

The “handspresso” makes the luxury of quality espresso portable.


To use, manually pump the machine to “16 bars” of pressure, use one of their special espresso pods, and pour water, and it’s rearin’ to go. It’s a pretty hot gadget. Then I watched the bizarrely sensuous video, and questioned the group’s branding

See the video, below.

Monday, February 4, 2008

Cheese Worship

This is a Parmesan cheese holder, designed by sensuous Italian powerhouse Alessi. It costs $78, and it's made of pale gold and crystal, bestowing upon the jewel of Parma the sort of adulation it demands.

I think it's both an interesting object and a fascinating symbol. What would provoke the design of such a highbrow, deity-protecting item? Is Reggiano that special? Does the print on the rind intentionally resemble a luxury logo? Why does set you back $15 dollars a pound? These are signs of the cheese's cult of personality, its branded identity, its generated myth.

Reggiano is special--it's bespoke, boutique, in high demand. After the semi-hard cheese is inscribed with the signature stamp, aged 12 months, it is inspected by the Consorzio Parmigiano Reggiano (the sort of fromagie-equivalent of an MC) then exported and peddled. But Parmesan, as much as it might like to, does not hold the patent on the grana (or grainy) nutty cheese flavor.

All of the authenticity "hype" would lead you to believe there is no other cheese in this market, that cheap imitators of Parmigiano are akin to off-brand Coke.

Not so! Ladies and Gentlemen, I give you: grana padano.


Grana padano's tradition reaches back even further than Reggiano--'twas made by Cistercian monks in 1135 AD around the marshes of the Po river. Contrary to American belief, it is actually the most-produced cheese in Italy, with factories in Emilia-Romagna, Lombardy, Piedmont, Trentino, and Veneto (as opposed to just the tiny region of Parma ). Additionally, it's more affordable than it's plus chic cousin, and has almost the exact same crystallized texture and salty flavor. Of course, it is still protected by the Denominazione di Origine Controllata e Garantita (DOCG) which inspects and regulates Italian identity-related food items like, ie Basalmic vineagar, olive oil, and Chianti, so it's still special, but not the high-ticket item that is Reggiano.

Henry Hoffman watches Caseificio Europa make Grana Padano

Sunday, January 27, 2008

Monday Linkitude


Disease risk to mozzarella output! Oh NO! Serious Eats paints an even graver picture. (Don't water buffaloes look like the bad guys from The Fifth Element?)

A touch of Italian modernity to anchor one in place.

Slice, the Pizza blog, has posted a thorough and mostly unobjectionable Taxonomy of Regional Pizza styles.

Sunday, November 11, 2007

More Italian Food You've Never Heard Of

Italian pastries get no love in the US—our palate caters more to the nauseatingly sweet (cupcakes, doughnuts, butter cookies, etc.) than the subtle. Dessert is a fix, not a conversation. And while France garners all the haute pastry prestige, Italy has its own robust baking culture. Unlike its cream and custard counterparts, Italian pastries are more likely to include cheese fats (mascarpone, ricotta) and are often infused with anise or almond flavors.

My grandmother usually served pizzelles that she made herself, which look roughly like a dough doily and had a licoricey undercurrent. Amaretti, or stone-like amaretto macaroons, were usually present in their distinctive red tin. When the holidays rolled around, we would usually have a panettone, which resembles a bundt cake and tastes like wonderbread with raisins. My father is quite partial to sfogliatelle, which is sort of like a mille feuille with an orange-ricotta filling. Mostly unavailable in the states until recently, sfogliatelle once gave him food poisoning when he packed it in his suitcase in Florence, and ate it when he returned to the states.

Those are the more common desserts, but today we will look at more distinctive incarnations of Italian sweets, and a couple Italian-American bastardizations as well. A couple of bake shops in my neighborhood have freaks in their windows. It’s ‘bout time I found out the constitution of these vaguely modernist items.

Our first, Ossa dei Morti, the “Bones of the Dead” cookie.

Made with sugar and water in celebration of All Soul’s Day, this Venetian cookie smells faintly of anise and is chalky to the touch. Imagine stale corn flakes compressed into a brick. These are perilous pucks; my jaw hates me. The cookie’s chemistry reveals itself when dipped in coffee—it self-destructs.

The second is pretty unimaginative: the “S-shaped cookie.”

It’s indigenous to Brooklyn but inspired by Italian pastry treatment—the almond paste is very present. Still a little hard for me, even after the coffee immersion.

The third and last pastry is perplexingly named a “St. Martin’s Biscuit.” (If my memory serves me, St. Martin was militaristic Hungarian.)

A little like biscotti in texture, I appreciated the whole anise seeds in the batter. ‘Twas rather difficult to bite, though, since it has a concrete texture and a larger round shape. I can’t seem to locate provenance, so perhaps it was a house special.

Other Italian Specialty Sweets:
Rainbow Cookies
Torta Caprese
Pignoli

Sunday, September 30, 2007

la donna e mobile: campari

I’ve always felt taunted and challenged by “acquired tastes”— the level of maturity required to appreciate the item, the implied elitism of the expression—I would learn to love artichokes, fish sauce and Catherine MacKinnon, just for spite. Campari remains a target to overcome. My aversion to Campari is a point of cultural shame, particularly in light of my enthusiasm for appertivo, or happy hour. I resolved: in October, as I approach 25th birthday, I would make a concerted effort to appreciate the liquor, and then bask in my enlightened standing.

It’s bitter, barky flavor has put my off for years, but I keep coming back for the alluring, vibrant red. Campari’s signature flame, I am told, comes from the natural pigment carmines, which are the dried remains of the cactus-dwelling insect, cochineals. The recipe for Campari is CocaCola-level secret (only one man in at Campari’s factory in Novi Ligure knows the details), but officials do confirm that wormwood and 59 other aromatics and herbs comprise the aperitif.

Campari is almost a fable, a continental version of Camelot—culturally it symbolizes the achievement of success, of a self-made man, but also tradition, of easing into mealtime after the workday. Gaspare Campari was born in Castelnuovo, Italy in 1828, and became “apprentice maitre licoriste” (barman extraordinaire) in Turin at the green age of 14. After futzing with the recipe for his bitter concoction over 20-some years, he officially founded the Gruppo Campari in Milan in 1860. Campari would only sell his product to outlets that displayed “Campari Bitters” posters, quickly establishing a brand identity outside Milan. The business plan was both sturdy and stellar: today, Campari grosses 33 million bottles in annual sales, about the same world-wide as Jack Daniels.

The iconography of Campari is as unique and recognizable as its color. Davide Campari, Gaspare’s son, commissioned ideas for the Campari posters from European artists with the following instructions: “Artists must clearly display the brand name; use uncomplicated color; and the brand should be incorporated naturally in the picture.” French poster art luminary Leonetto Cappiello responded with one of the most noteworthy works of the period: a clown dancing in an orange peel holding a bottle of Campari. Also patrons of progressive design, the Camparis contacted Futurist art superhero Fortunato Depero to create the bottle for CampariSoda, the premixed cocktail. The beaker-like final product combines forceful and urbane features, and appears just as modern as when Campari released it in 1932.



As glamorous and distinctive as its image came to be, the house of Campari contracted trenchfoot in the culture wars of the 1980s. In 1983, the Reverend Jerry Falwell brought a case against Hustler magazine for producing an ad which featured Falwell and his mother in a “drunken incestuous encounter in an outhouse.” The ad parodied a contemporary Campari advertising campaign in which celebrities described “their first time” drinking Campari, with obvious sexual innuendo. The Court ruled 8-0 in favor of Hustler, finding that public figures “must tolerate occasional false statements, lest there be an intolerable chilling effect on speech that does have constitutional value.”

Over the next week, I will sample Campari in various incarnations, I will sweet-talk and swindle my taste buds into submission, I will take down this feeble-minded aversion of mine!

I shall try each of the following drinks, report back on their flavors and my level of satisfaction with the cocktail, hopefully garnering some level of affection for the drink as the week goes on:

• Campari neat
• Campari and soda
• Negronis
• Campari and orange juice
• Americano